[bbrcn] Download Pennyroyal Pro fonts from Stiggy & Sands

Designed by Jim Lyles and Brian J. Bonislawsky, Pennyroyal Pro is a display serif font published by Stiggy & Sands.

Pennyroyal Pro

A Historical Revival for Modern Typesetting Flair

Pennyroyal began as a Barnhart Brothers & Spindler typeface called Plymouth Bold, first cut in 1900. What began as a straightforward rustic typestyle has been revived to include a more extensive character set. But this font wasn’t just revived, it has come alive with character and personality.

Taking things further, Pennyroyal Pro adds in Unicase (stylistic alternates), Swashes (swash alternates), and a collection of grunge alternates from the original source and additional alternates included (PUA encoded). You’ll find that Pennyroyal Pro contains 1476 characters.

The expanded SmallCaps option for Pennyroyal Pro gives the typestyle a more sophisticated option, while the expansive options like Unicase and Swashes allow for more uniqueness, play, and experimenting far beyond the original typeface inspiration.

Opentype features include:
• A collection of ligatures.
• Smallcaps.
• Full set of Inferiors and Superiors.
• Proportional figures and Oldstyle figure sets.
• Unicase Capitals as Stylistic Alternates
• Swash Caps & Lowercase alternates
• Smallcap Swash Caps & Lowercase alternates
• Grunge Alternates for Capitals
• Additional Swash Alternates

Pennyroyal ProDownload NowView Gallery

[urwgn] Download Broadside Text fonts from Device

Designed by Rian Hughes, Broadside Text is a sans serif font family. This typeface has fourteen styles and was published by Device . Broadside Text Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines and larger sizes, and also comes with condensed and extended versions. Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries a...

[lyhuo] Download Evoque fonts from Paulo Goode

Designed by Paulo Goode , Evoque is a serif font family. This typeface has thirty-six styles and was published by Paulo Goode . Evoque Evoque is a humanist serif type family designed for both text and display purposes. Its appearance is crisp and modern while echoing a classical Garamond heritage. The inspiration for Evoque came after reminiscing over Apple’s advertising of the eighties and nineties that utilised incredibly tightly-spaced headlines set in Apple Garamond . I wanted to create a typeface that evoked nostalgia of those times and that distinctive typographic style. A number of swash alternates and discretionary ligatures enhance Evoque , giving you the opportunity to add more flair and personality to your title and branding designs. Simply activate Stylistic Sets to start adding these flourishes to your typography. Other useful features include Small Caps at the click of a button, and Old Style Figures are an option to the default proportional figure style. Th...

Otterco fonts from Adam Ladd - (hbjml)

Designed by Adam Ladd , Otterco is a display sans and sans serif font family. This typeface has thirty-two styles and was published by Adam Ladd . Otterco Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications. Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text. With 32 total fon...

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