Skip to main content

[bnhpn] Download Rustica fonts from TipoType

Rustica
Rustica RusticaRustica

Designed by Martin Sommaruga, Fernando Díaz and Vicente Lamónaca, Rustica is a sans serif font family. This typeface has twenty styles and was published by TipoType.


The world has changed; we want it to change. But it has a history too. Rustica draws back to the sans typeface tradition and updates it for the 21st century; we aim to go back to the humanist values without dismissing the role played by technology.It’s a GeoHumanist sans serif.

Type design looks back at its past to return with renovated strength to its march to the future. Rustica is based on a humanist architecture with the addition of the determination and precision of the geometry of the classic sans of the early 20th century.

Thus, a typographic conception typical of 21st century communications: returning to the human values of closeness and proximity, adding the certainty of knowledge and science.

Rustica is born out of the DNA of our awarded font Rotunda, contributing to this typographic ecosystem humanist notes enhanced by the precision and discipline of geometry.

Designers: Tipotype Team





Popular posts from this blog

[urwgn] Download Broadside Text fonts from Device

Designed by Rian Hughes, Broadside Text is a sans serif font family. This typeface has fourteen styles and was published by Device . Broadside Text Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines and larger sizes, and also comes with condensed and extended versions. Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries a...

[lyhuo] Download Evoque fonts from Paulo Goode

Designed by Paulo Goode , Evoque is a serif font family. This typeface has thirty-six styles and was published by Paulo Goode . Evoque Evoque is a humanist serif type family designed for both text and display purposes. Its appearance is crisp and modern while echoing a classical Garamond heritage. The inspiration for Evoque came after reminiscing over Apple’s advertising of the eighties and nineties that utilised incredibly tightly-spaced headlines set in Apple Garamond . I wanted to create a typeface that evoked nostalgia of those times and that distinctive typographic style.  A number of swash alternates and discretionary ligatures enhance Evoque , giving you the opportunity to add more flair and personality to your title and branding designs. Simply activate Stylistic Sets to start adding these flourishes to your typography. Other useful features include Small Caps at the click of a button, and Old Style Figures are an option to the default proportional figure style. Th...

Otterco fonts from Adam Ladd - (hbjml)

Designed by Adam Ladd , Otterco is a display sans and sans serif font family. This typeface has thirty-two styles and was published by Adam Ladd . Otterco Otterco is a geometric sans serif font family with varied round and narrow characters. Blending a touch of retro and modern qualities, this typeface is clean and neutral but not boring. It’s professional yet unique and fun. The contrast in character widths creates a distinct visual rhythm and the vertical cut terminals keep it consistent, strong, and sharp looking. Constructed with a large x-height and low stroke contrast, it can fit a variety of applications. Coming in both Normal and Display families, the fonts can be used for even more settings and tone of voice. The Normal design has a little less width contrast between characters and looser spacing—good for both small and large text. While the Display design has more character width contrast and tighter spacing—good for larger, attention-getting text. With 32 total fon...